Loney Dear returns

On Saturday night (Oct.10), as I was coming out of the play Fedra at Lookingglass, I decided on the spur of the moment to head over to the Bottom Lounge for a concert by Sweden’s Loney Dear. I showed up in time to see most of the set by Asobi Seksu, which was properly loud and shoe-gazy… But then I was disappointed to see that a number of Asobi Seksu fans left before the set by headliner Loney Dear. This terrific Swedish band ended up playing to a fairly small crowd. Maybe the crowd wouldn’t have looked so small if this show had been at a smaller venue like Schubas, where Loney Dear has played in the past, but the Bottom Lounge room tends to dwarf the audience. The Bottom Lounge vibe is OK for a rock show, but when the music’s mellower or folkier (as it is with Loney Dear) the old-fashioned concert-hall vibe at a place like Schubas somehow seems more fitting.

Since the last time I saw Loney Dear, I’ve been listening more to the band’s most recent CD, Dear John, which has a number of wonderfully subtle songs. I especially like the hushed, heartfelt track “Harm/Slow,” and I was glad to hear the Bottom Lounge quiet down as Loney Dear main man Emil Svan√§ngen sang “Harm” (I believe he sang only the first song in this two-song medley).

I didn’t have my camera, so I can’t offer any of my own photos from the Loney Dear show, but check out this cool set of images from Kirstie Shanley

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