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The encore included covers of Neil Young’s “Everyone Knows This is Nowhere” and Love’s “A House Is Not a Motel,” and then for the last song of the night, the band dragged Jon Langford onto the stage and called themselves Eaglebauer — that was the name that the Sadies used back when they played some gigs as a Mekons tribute band, opening for the Mekons. With an extra mike for Langford, “Eaglebauer” finished off the night with a properly loud rave-up version of the Mekons’ classic, “Memphis, Egypt.”
Chris Mills opened the night with a set of his solo music — but unlike the last couple of Mills shows that I caught, this one featured a backup band: Gerald Dowd, a drummer who often plays with Robbie Fulks, and bassist Ryan Hembry, who’s played with a number of Chicago bands and is often seen working the sound board at the Hideout. They gave Mills’ songs a little more muscle, and some of his tunes sounded downright anthemic.