Cropped Out: Day 1

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Buy Female Viagra Samples from Canada Drugs, an online Canadian Pharmacy that offers free shipping on all orders of discount Nizoral. Cropped Out feels like a homemade music festival. The website for the annual event in Louisville, Kentucky, hasn’t been thoroughly updated for a couple of years. Although the site displays pictures of the 2016 festival lineup, if you click on the drop-down menu for “FESTIVAL,” the most recent info listed is from 2014. Ticket sales are handled through some guy’s PayPal account. ($70 for a weekend pass.) Even the description of the venue is a bit sketchy: American Turners Club? What is that exactly? So, don’t think of Cropped Out as being anything like the bigger, more commercial music festivals. This is not Lollapalooza. It’s DIY.

| Up to 20% Off🔥 |. Cannot Find low price Best pill? source,special reduced price.. Buy Now » croppedoutposterI wasn’t sure exactly what to expect when I drove to Louisville last week for Cropped Out, but the Sept. 23-24 festival turned out to be a rather delightful experience. The American Turners Club — a German-American organization’s center with a swimming pool, boat club, gymnastics group, etc. — is a compound along the southern shore of the Ohio River. The place had a feel of a VFW hall crossed with a run-down athletic center. Glamorous, it was not, but the location near the river gave it a pastoral charm. However, the men’s room had a horror-movie vibe, with a urinal trough and blinking neon light next to an oddly vacant room containing a chair.) And the Cropped Out organizers decked out the whole venue with garish Halloween inflatable decorations, bedsheets spray-painted with the names of the various stages, and a bunch of comic-book-style drawings. (Like the one next to the bar that showed someone passed out and surrounded by emptied bottles.)

go here img_9579There were four stages, including one in a covered outdoor space — where a large monster with outstretched arms hung on the ceiling above the bands. Upstairs, the Turners Tavern hosted indoor performances, including several punk shows (by bands like Black Panties and Lumpy and the Dumpers) that quickly turned into wild mosh pits. My favorite spot was “Spooky Beach,” the deck near the Ohio River shore where several artists performed throughout the weekend. It was sunny and hot both days, and this little stage was an idyllic setting for beautiful performances by Bill Callahan, Joan Shelley, Matchess and others.

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| free delivery🔥 |. best choice! 100% Secure and Anonymous. ☀☀☀ source ☀☀☀,Free pills with every order! Free shipping, quality The festival ran on schedule, with only a few minor hitches. (Early on Saturday, a transformer blew out, knocking out the power throughout most of the center, but there was enough electricity to run two stages. And within a couple of hours, the utility company crews had everything fixed.) I’d estimate that a few hundred people attended the festival throughout the weekend. It was always pretty easy to walk around, and to get spots close to the stages. There was no security to speak of, and fans were allowed to walk around on just about all sides of the stages.

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source site I didn’t get press credentials. I’m not even sure if they were offered, or who was handling publicity for the festival. I just bought a ticket, brought my camera, and took pictures as much as I desired, without anyone stopping me. (That’s the way I like it.)

img_9607The closest thing to a corporate sponsor sign was a tombstone on the roof deck, saying that Cropped Out “is survived” by sponsorship from a list local businesses. It was positioned next to an electric organ, which anyone was welcome to play.

The audience looked like the sort of people I see at indie rock and experimental music shows in Chicago, or in other cities where I’ve attended such concerts: Mostly young people, along with a few middle-aged music aficionados (gray-haired folks like myself). A lot of tattoos and long hair. A fair amount of these people seemed to be from Louisville or nearby. As one of the musicians performing at Cropped Out remarked (I’m forgetting exactly who said this), Kentucky is not just bluegrass music.

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Dry Summers
Dry Summers
Dry Summers
Dry Summers
Dry Summers
Dry Summers

Three of the bands I saw early on Friday, Sept. 23, were Louisville locals, and they offered a good sample of some of the underground music being made in the city today. Dry Summers played off-kilter rock songs with a loopy, cheerful vibe. Pleasure Boys thundered and howled its heavy psychedelic music — epic, but with a slightly goofy air about it, reminding me of early Black Mountain. And Cereal Glyphs impressed me with melodic, psychedelic tunes, a little reminiscent of the 1960s Nuggets records. Other strong performances I saw early on Friday included Paper Claw, hailing from Lafayette, Indiana, a band I definitely want to hear more from.

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Pleasure Boys
Pleasure Boys
Paper Claw
Paper Claw
Paper Claw
Paper Claw
Cereal Glyphs
Cereal Glyphs
Cereal Glyphs
Cereal Glyphs
Cereal Glyphs
Cereal Glyphs
Cereal Glyphs
Cereal Glyphs

Performing at “Spooky Beach,” Louisville experimental artist Aaron Rosenblum built a sonic landscape using birdcalls, train noises and electronics.

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Aaron Rosenblum
Aaron Rosenblum
Aaron Rosenblum
Aaron Rosenblum

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Beat Awfuls, a band from Lexington, Kentucky, played indie rock with some of the tunefulness of Guided By Voices.

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Beat Awfuls
Beat Awfuls
Beat Awfuls
Beat Awfuls
Beat Awfuls
Beat Awfuls

Giving Up from Garner, Iowa, played strange, intriguing art-punk with lots of spirit and energy.

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Giving Up
Giving Up
Giving Up
Giving Up
Giving Up
Giving Up
Giving Up
Giving Up
Giving Up
Giving Up

As I expected, Louisville singer-songwriter Joan Shelley’s performance on Friday was a highlight of Cropped Out. Adding to the beauty of her delicate folk songs — which she sang and played guitar, with perfect accompaniment by guitarist Nathan Salsburg — was the setting. Shelley performed on that deck next to the Ohio River, with the sun going down behind her. It was entrancing and exquisite.

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Joan Shelley with Nathan Salsburg
Joan Shelley with Nathan Salsburg
Joan Shelley with Nathan Salsburg
Joan Shelley with Nathan Salsburg
Joan Shelley with Nathan Salsburg
Joan Shelley with Nathan Salsburg
Joan Shelley with Nathan Salsburg
Joan Shelley with Nathan Salsburg
Joan Shelley
Joan Shelley
Joan Shelley with Nathan Salsburg
Joan Shelley with Nathan Salsburg
Joan Shelley with Nathan Salsburg
Joan Shelley with Nathan Salsburg

Here’s my video of the final song from Joan Shelley’s performance, “Not Over By Half”:

Quilt Boy
Quilt Boy

The festival included one jazz performance, by saxophonist Joe McPhee and pedal-steel guitarist Susan Alcorn. (Yes, a pedal-steel guitarist playing jazz, and in a somewhat unorthodox style — it was entrancing.)

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John McPhee
John McPhee
Susan Alcorn
Susan Alcorn
Cherry Blossoms
Cherry Blossoms
Cherry Blossoms
Cherry Blossoms
Cherry Blossoms
Cherry Blossoms

After darkness fell on Friday, Fred and Toody Cole — two-thirds of the punk band Dead Moon — performed their old songs at Spooky Beach, with a couple of bright white lights illuminating their faces amid the gloom.

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Fred and Toody Cole (of Dead Moon)
Fred and Toody Cole (of Dead Moon)
Fred and Toody Cole (of Dead Moon)
Fred and Toody Cole (of Dead Moon)
Fred and Toody Cole (of Dead Moon)
Fred and Toody Cole (of Dead Moon)
Fred Cole
Fred Cole
Toody Cole
Toody Cole
Toody Cole
Toody Cole

The Dead C, a New Zealand noise-rock band that’s been together since 1986, performed in the evening under the “Phreedom Hall” awning — or two-thirds of the group performed, anyway. Drummer Robbie Yeats wasn’t present, but guitarists Bruce Russell and Michael Morley conjured up a storm of loud, feedback-drenched textures.

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The Dead C
The Dead C
The Dead C
The Dead C
The Dead C
The Dead C
The Dead C
The Dead C
The Dead C
The Dead C
John Bellows
John Bellows

Friday’s final performance was inside Turners Tavern, where a crowd gathered around Bitchin Bajas and Bonnie “Prince” Billy as they performed mesmerizing, dream-like chants from their recent album together, Epic Jammers and Fortunate Little Ditties.

Bonnie "Prince" Billy
Bonnie “Prince” Billy
Bitchin Bajas
Bitchin Bajas
Bonnie "Prince" Billy
Bonnie “Prince” Billy
Bonnie "Prince" Billy
Bonnie “Prince” Billy
Bonnie "Prince" Billy
Bonnie “Prince” Billy
Bonnie "Prince" Billy
Bonnie “Prince” Billy
Bitchin Bajas
Bitchin Bajas
Bonnie "Prince" Billy and Bitchin Bajas
Bonnie “Prince” Billy and Bitchin Bajas

See my blog post and photos from the second day of Cropped Out.