Ragamala was an epic experience — a 15-hour concert of Indian classical music, stretching from 6 p.m. on Friday, Sept. 9, until 9 a.m. on Saturday, Sept. 10, with sitars, tablas, flutes, violins and singers sounding all night under the magnificent Tiffany Dome in the Chicago Cultural Center’s Preston Bradley Hall.
This was the fourth year that the Chicago Cultural Center has hosted an all-night Ragamala as part of World Music Festival Chicago. After attending a few hours of last year’s Ragamala, I decided to see the whole event this time. Learning from experience, I brought a pillow. So yes, I did doze off during a few of the performances, but I think the music still penetrated my subconscious brain.
Over the course of this Ragamala — the opening night of World Music Fest — I heard mesmerizing, beautiful and astonishing music from India’s Hindustani and Carnatic classical music traditions. Many of the pieces that were performed were intended to be heard at the specific times they were played, such as ragas for the “coming dawn,” which were heard around 4:30 a.m. Highlights for me included Partho Sarodi’s jaw-dropping performance on the sarod, a stringed instrument sounding a bit like an acoustic guitar crossed with a sitar; and the breathtaking vocals in the morning sets by the Sama Venkatesaiah Balakrishna Troupe and Manjiri Vaishampayan.
This was also a rare opportunity to stay inside the Chicago Cultural Center overnight. The lights were dimmed in the middle of the night, and then the pink hues of the rising sun trickled into the grand room after 6 a.m., glinting in the world’s largest Tiffany glass dome. It was a gorgeous sight to behold, all the more so with such incredible musical accompaniment.
I neglected the festival this year — a shame. It’s an exciting way to sample music from around the world. But I did make it to the closing-night open house of free performances at the Chicago Cultural Center on Sept. 21. I walked in just in time to catch the last 15 minutes of http://wehrs-music-house.com/?uzz=Buy-Viagra-Russia ou:yes Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which
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Debashish Bhattacharya, which was the best thing I heard all night. At first, I thought he was playing sitar or a similar Indian instrument, but then I read the program notes and realized it was actually a slide guitar sitting in his lap — albeit a modified guitar with added drone strings. This guy was just incredible, and I can honestly say he “rocked.” He might just win over Western rock fans who never got the whole Ravi Shankar thing.
After a late start (due to musical equipment getting delayed at the airport), Italian singer Carmen Consoli. Her voice impressed me, but her songs were just fair. At moments, her folk-pop arrangements reminded me in a good way of the great Lhasa, but there was a tinge of Europop to it that bugged me. Still, she was good enough that I’d give her another shot.
The Alaev Family sounded intriguing, but the concert hall where they were playing was too crowded to enter, so I went instead to the cafe show by Aza — a couple of Moroccan guys who have settled in California and hooked up there with three American musicians. This was quite nice, hypnotic desert groove music, a little like Tinariwen.