I’ve fallen behind on reports from recent concerts, so here’s a quick round-up of some shows I caught last week.
JUNE 21: THE GREAT SOCIETY MIND DESTROYERS headlined an evening of psychedelic and experimental music at the Viaduct Theater. I’ve been digging the dark-psych sounds of this Chicago band on myspace (www.myspace.com/thegsmd) and was glad to see a live performance after missing several other recent gigs. I heard some outlandish jams. Only problem was the gig could have gone on for another song or two and I would have been even happier. Catch them July 10 at Schubas.
The Viaduct show also featured noisy rock by The N.E.C. and Leavitt/Ours, as well as a friend of mine, Cinchel, who started off the evening with guitar and laptop sounds that slowly built on one another, like a mountain range of tones.
JUNE 22: DM STITH has been entrancing me with his music since I belatedly discovered his 2009 album Heavy Ghost. He played an intimate and engaging solo acoustic gig June 22 at the Andrew Rafacz Gallery on Washington Avenue. This was a nice little space for this sort of quiet show, which was booked by the folks from the Empty Bottle. Stith sang several songs from Heavy Ghost, as well as at least one new song and a Sparklehorse cover — a touching tribute to the late Mark Linkous. Stith kept his eyes closed almost the entire time he sang, as if squeezing out the emotion in his falsetto vocals. One of the opening bands, Inlets, played with him for a couple of songs. I wish there had been a piano in the room, since some of Stith’s best songs feature piano juxtaposed with layers of his haunting vocals. http://asthmatickitty.com/dm-stith
The evening also featured a hushed set of Scandinavian folk-rock by Silje Nes, including some very creative and subtle percussion.
JUNE 24: OMAR SULEYMAN, a Syrian singer, made his first Chicago appearance ever with a free concert at the SummerDance program in Grant Park — yet another fine example of the wonderful music you can see in Chicago for free. Accompanied by just his keyboard player, who made some delightful beats and snaky synth melodies, Suleyman confidentally strode the stage, clapping his bands to encourage dancing. (The audience didn’t actually need that much encouraging.) Suleyman’s nimble vocals were enchanting.
JUNE 24: QUINTRON & MISS PUSSYCAT were playing that same night at the Empty Bottle, but truth be told, I mostly went to see the two opening acts. Chicago’s Cave has an excellent new EP, Pure Moods of cool Krautrock-style jams. Cave sounded great live, too. The second band was Eddy Current Suppression Ring, a rambunctious garage/punk band from Down Under, who got the crowd bouncing. Then came an absurd puppet show to start off the set by Quintron, involving cats and pizza. It’s hard to say what exactly the point was, but it was certainly amusing. As for the music that followed — well, I’m not that familiar with Quintron, and I have to say I didn’t really “get” it. The mosh pit loved it, though.
More photos coming soon…