Pitchfork Music Festival 2017

I’ve been moaning for years about how seldom two of my favorite musical artists — the Feelies and PJ Harvey — play in Chicago. One of the great things about being a music fan in Chicago is that you get a chance to see just about every touring artist. But there are a few bands and singers who bypass the Midwest or simply don’t tour all that much. Since the Feelies went on hiatus around 1991 and then reunited, the New Jersey rock band had played in Chicago only one time, at Millennium Park in 2009. That year was also the last time British singer-songwriter PJ Harvey had played in Chicago; when she released her recent records, she played only a handful of U.S. shows.

So, you can imagine how thrilled I was — along with other Chicago fans of the Feelies and PJ Harvey — when it was announced that both of them were coming to the Pitchfork Music Festival. And they were just two of the artists that made for an especially strong and diverse lineup at this year’s festival, which took place this past weekend (July 14-16) at its usual location, Union Park on Chicago’s West Side. Not surprisingly, as it turned out, the sets by PJ Harvey and the Feelies were two of my favorite moments in a really fun weekend of live music (which was made more enjoyable by the delightfully temperate weather).

Holding a saxophone aloft like a talisman, PJ Harvey made a dramatic entrance as the musicians in her large band banged drums, making the concert feel like some sort of pagan ritual. After opening with songs from her most recent album, The Hope Demolition Project, Harvey seemed to be running backward through her discography, but she eventually circled back to the new songs, with the voices of her bandmates adding to the power of the chorus. As always, Harvey was a riveting presence at the center of the stage. (Set list.)

The Feelies got off to a slightly late start, because the previous act playing on the other side of the field, George Clinton, ran several minutes past his scheduled time slot. That may seem like a minor point — and yes, I was also excited to watch Clinton, the 75-year-old godfather of funk, jamming with his Parliament/Funkadelic group, whom I’d never seen before — but Pitchfork is designed to run on a pretty tight schedule. Once the Feelies started playing, the band hit a couple of wrong notes — that’s hardly an egregious crime, and yet it was surprising, considering how precise the band typically sounds. Once the Feelies had found their footing, however, the group was in top form, strumming its trademark chords to those driving rhythms. (Set list.)

Here’s the rub: As much as I enjoyed seeing both the Feelies and PJ Harvey playing in the beautiful weather in front of crowds in Union Park, I was left wanting more. I’d love to see longer shows by both of these bands, as opposed to these typically condensed festival sets that last an hour or so. (I’m jealous of those who saw the Feelies playing a full show at El Club in Detroit on the following night.) But I will take what I can get. And in general, shorter sets do create a livelier feeling at music festivals.

This year’s Pitchfork experienced some logistical problems — including long lines at the entrance on Friday. And when the big field got crowded at the end of the day, it wasn’t fun to make my way through the throngs of people. And this may be stating the obvious, but depending on where you were at any given moment, your experience of the festival may have been completely different from my own. I watched Harvey’s show from a spot near the stage, but then as she began playing the final song of her set, I started needling my way back through the crowd to reach the photo pit for the next show, by Saturday’s headliners, A Tribe Called Quest. By the time I’d reached the back part of the field, Harvey was still playing, but I could barely hear her music at all. In that part of the park, it was hard to tell that a concert was even going on.

Other highlights for me over the weekend included the resonating shoegaze guitar wall of Ride; the sultry, moody songs of Angel Olsen, which often built to ferocious climaxes; LCD Soundsystem’s dance party (even if it was a bit of rerun from previous fests); George Clinton’s nonstop groove; the boundless enthusiasm and catchy riffs of the garage rockers Priests, Cherry Glazerr, Jeff Rosenstock and NE-HI; Thurston Moore, still doing music that sounds like Sonic Youth (and why the hell not?); the enthralling songs of Mitski, who seemed almost stoic during the early part of her set (I wasn’t able to stay for the whole performance, which reportedly climaxed with a “primal scream”); Colin Stetson’s stunningly muscular saxophone minimalism; A Tribe Called Quest paying tribute to its recently deceased member, Phife Dawg, with an energetic set; the beautiful and passionate vocals of Jamila Woods; and R&B star Solange’s elaborately staged visual and audio spectacle.

Photos of Day 1 / Day 2 / Day 3

The Feelies Are Back

This was one musical reunion show I was really looking forward to, and it did not disappoint. The Feelies played in Chicago last night for the first since putting out their fourth record in 1991. I saw them only once back in the day, and that concert was a bit truncated because one of the band members was ill. So it almost felt like I was seeing them for the first time when they took the stage June 29 at the Pritzker Pavilion in Millennium Park. (Another fabulous free show at this lovely venue!)

The Feelies do their thing without a lot of fuss or showmanship, so it somehow seemed apt that the band came onstage and then paused for a minute to work out some technical difficulties, not saying anything to the audience. And then, they suddenly burst right into the opening chords of their 1991 song “For Awhile.” What followed was an almost-perfect run through of great tunes from all four Feelies albums: Bill Million’s trademark chords strummed over and over, Glenn Mercer’s cool, understated vocals, bassist Brenda Sauter’s melodic bass lines, Mercer’s tuneful, piercing guitar solos building on top of those cycling chords. And of course, those Feelies rhythms. And some songs, the beat stayed steady as drummer-percussionists Stanley Demeski and Dave Weckerman kept things constantly shaking. And other tunes, the beat began slow then accelerated, as the band seemed to shift again and again into higher gears. A song might being like pastoral folk rock and end in a frenzy.

Towards the end of the show, a young man danced his way into the empty area between the front row and the stage, twitching with the sort of spastic moves that looked perfect for the jerky sounds of songs from the first Feelies album, get link. what is tamsulosin hydrochloride flomax online bestellen flomax cr 0.4 mg side effects flomax tamsulosin alternatives tamsulosin | instock🔥 |. It solves the problem for you quickly. Levitra Buy Australia ,Available with free Delivery & overnight shipping!. Check More » | free delivery🔥 |. Free pills with every order! Free shipping, quality, privacy, secure. Voltaren Spray Uk Buy only uk ,Save Up To 70% On Pills. | Up to 30% Off🔥 |. special reduced price. ☀☀☀ http://redapplewellness.net/?olxc=Giant-Viagra-Pill&2cd=d0 ☀☀☀,Stop Searching About Best pill !. Buy Now » http://gabrielleluthy.com/?red=Order-Cheap-Viagra-Online&0fc=3b Betnovate-N cream Betnovate-N cream contains two active ingredients, Betamethasone Valerate and Neomycin Sulphate. Betamethasone | Best Deals🔥 |. What You are Looking Best pill? ☀☀☀ http://hickorygrovetriathlon.com/?mapl=Buy-Cialis-Online-In-Us ☀☀☀,Stop Searching About Best pill !. Buy Now » http://localcomicshop.com/wp-includes/SimplePie/Content/free-criminal-background-check-state-florida.html SafeOnlineCanadianPharmacy. Buy Generic V1agra, Cial1s, Lev1tra and many other generic drugs at SafeOnlineCanadianPharmacy. Lowest prices for Generic and Brand drugs. Bonus 10 free pills, discounts and FREE SHIPPING. Cheapest drugs online - buy and save money. | Best Cheaps🔥 |. Online Pharmacy, Guaranteed Shipping. 24/7 Phone Support ☀☀☀ Cialis And Viagra Online ☀☀☀,The offer is limited.. Buy Crazy Rhythms. A park security guard led this fellow away, but he came back a minute later and continued dancing. That seemed to open the flood gates, as people jumped to the front area of the pavilion and started twitching along. Feelies lead singer and guitarist Glenn Mercer seemed to revel in the moment, coming out to the edge of the stage for guitar solos inches away from the upraised hands of fans (some of whom looked way too young to remember the last time the Feelies were around).

The Feelies played two new songs, both of which sounded like they’ll be great additions to the band’s discography whenever it gets around to recording them. The group encored with two rousing covers: R.E.M.’s “Carnival of Sorts (Boxcars)” and the Velvet Underground’s “What Goes On” (which the Feelies originally did on the 1988 record Only Life), plus their own song “a Cé-La.” And then something wonderful happened that you don’t see often at the Pritzker Pavilion — a second encore. People clapped and even pounded on the edge of the stage, making quite a racket. They would not let the Feelies leave without at least one more song. And so the band came back out and did another cool cover, the Rolling Stones’ “Paint It, Black.”

At one point during the show, Sauter told the crowd, “Thank you for waiting 20 years.” It was a long wait, but it sure was great to see and hear the Feelies playing last night in front of an adoring, lively crowd.

Photos of the Feelies.

(I’ll post photos and blog soon about the other bands I saw Monday at the Pritzker Pavilion, Feelies opening act Icy Demons and the noontime act, Black Moth Super Rainbow.)