As much as I liked the 2005 Sufjan Stevens album Illinois — and as much as I enjoyed the concert I saw by him last year at Metro — I had trouble working up much enthusiasm for seeing him this week. Maybe it was because his new album of Illinois outtakes, The Avalanche, is tepid. But he’s undeniably a talented guy, probably a genius at arranging strings and incorporating them into pop music, so this was certainly a worthwhile concert. The cheerleaders from last year were gone, but there was still a sense of spectacle. The 15 musicians backing up Sufjan wore butterfly wings, while Stevens had big bird wings (and wore a feathery bird mask over the top of his head for the opening two instrumental songs). It was postively Peter Gabriel-esque (in a 1972 Genesis sort of way, that is). And then there was that little rooster figure that was sitting on a stool near Stevens throughout the show, which he claimed they’d stolen from a Perkins restaurant earlier on the tour.
This concert focused less on the Illinois songs, but those were the ones that won the biggest applause here in the Prairie State. As I did at last year’s Sufjan concert, I sensed something amazing happening with the music scene. It’s so encouraging to see thousands of young people getting excited and enthusiastic about sophisticated orchestral folk music. I don’t think the worshipful Sufjan cult will necessarily result in a lot of other artists making similar music, but I hope it signals a new willingness to embrace music with unconventional arrangements and musical sophistication that goes beyond the Blink-182’s of the world.
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