Amadou & Mariam and Seu Jorge at Millennium Park

I knew Millennium Park was a beautiful place (yeah, even with all of the stuff crammed into it and the slight tinge of amusement park…) but I’d never seen a concert there before. What a great place to see live music on a nice summer night. The free general admission seating worked out great. Even though it was crowded and I showed up just a few minutes before starting time, I walked into the pavilion and easily found a seat in the second row right in front of the stage. Frank Gehry’s architecture created an interesting backdrop for the music.

All of that being said, the security at the concert venue was ridiculous. These spoil-sports vainly tried to enforce a rule against dancing in the pavilion (it’s apparently allowed out on the lawn, but not in the area closest to the stage). Maybe that rule makes sense for the many classical concerts held here, but with Seu Jorge and his percussionists going at it wildly – and then with Amadou & Mariam getting into African grooves – the dancing was unstoppable. Even at the end, the ushers were trying to keep people from dancing in the few feet of space right in front of the stage.

Anyway, both acts were fabulous. I had some trouble really getting into Seu Jorge’s 2005 album Cru after being wowed by his concert last year at Logan Square Auditorium. It’s a fine record, but not nearly as exciting as his live show. Tonight’s concert verified my impression from last year – that he’s a vibrant performer with a rich voice. I love the way his voice creaks its way around the lower notes. And his band, mostly percussionists who switch off on playing ukelele, knows how to get an infectious beat going. Jorge of course played a couple of the David Bowie covers that he has become known for. I hope he tries something similar with songs by other artists.

SEE PHOTOS OF SEU JORGE.

Last year, I saw Seu Jorge and Amadou & Mariam on consecutive days at the Chicago World Music Festival, so it was a real pleasure to see both acts on the same bill this time. Amadou & Mariam were marvelous – with Mariam’s voice in fine form, and Amadou’s guitar solos sounding as good as ever. It took a few songs for the crowd to get back into the dancing spirit (everyone might have been a little worn out by Seu Jorge), but then the dancing resumed.

SEE PHOTOS OF AMADOU & MARIAM.

A Weekend of Concerts

It was a busy weekend of concerts, and I didn’t even go to Farm Aid. It was a pretty remarkable three days of music, with at least three performances that rank among the year’s best.

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She was just the opening act, followed by the impressive spectacle of SUFJAN STEVENS and his seven-person backup band/cheerleading squad. The songs from Illinois sounded great in concert. If listeners hadn’t already realized these are complicated and well crafted compositions, it became obvious watching Stevens and his band pull it off in concert. The mostly young crowd was wildly enthusiastic. Who’d have thought we’d see a crowd of 20-ish rock fans whooping at a trombone solo or the unfurling of an Illinois state flag? The band, dressed in Illinois shirts, with the three female musicians decked out as cheerleaders, performed cheers in between the songs and even formed a human pyramid onstage. It was a strange mix of the seriousness of art rock with giddy silliness.

SEE MORE PHOTOS OF LAURA VEIRS AND SUFJAN STEVENS.

SEPT. 17: The Hideout Block Party is always a great event, and this year’s featured a couple of especially noteworthy shows. ELEVENTH DREAM DAY played a set of new songs, which will be on a just-recorded CD. This band plays only once or twice a year, but whenever it does, it’s one of the best rock shows of the year. The new material sounded great, and the members of Eleventh Dream Day again showed that they’re all outstanding musicians. The band’s core trio was supplemented by keyboard player Mark Greenberg.

SEE MORE PHOTOS OF ELEVENTH DREAM DAY.

The headline of the day, however, was the first gig anywhere by the reunited original lineup of THE dB’S. They look a lot older than I remember, but then, I saw them twice back in the mid 1980s in Champaign, so I probably look a lot older, too. The dB’s played a couple of new songs, which sounded good, but the set focused on the classic power pop songs from their first two albums. It still sounded fresh. The band came back for a rare festival-set encore, “Neverland.”

SEE MORE PHOTOS OF THE dB’S.

I also caught sets at the Hideout Block Party by Kevin O’Donnell’s Ensemble General, an intriguing big group led by drummer-around-town O’Donnell. His monologue during one song about blue states invading red states was a highlight. And with his between-song banter, O’Donnell revealed himself to be one funny guy.

I’m not sure what to make of the Sam Roberts Band, from Montreal. The songs were OK, but the sound was too jam-band for me.

The always-excellent Ponys were going strong when I had to depart the block party for…

BOUBACAR TRAORE, a Malian guitarist and singer who played a spellbinding set at Park West. (I also saw him the following night at Logan Square Auditorium.) Traore plays a style of percussive acoustic-guitar music that will remind American listeners of the blues. Using just his thumb and forefinger to pick the strings, Traore rarely plays actual chords, essentially soloing throughout each song, even as he sings. Traore was the opening act for…

AMADOU & MARIAM, a married couple of blind singers from Mali, whose new album is one of the best of 2005. The music sounded great in concert, too, with Amadou taking the chance to stretch out with some pretty amazing guitar solos. Another difference from the studio recordings was the stronger emphasis on percussion, one of the reasons the crowd was dancing almost nonstop. (Why no photos of Amadou & Mariam? Because I idiotically left my camera in my car, thinking the Park West does not allow photos, though it turns out I could have brought it in.)

SEPT. 17: After another exceptional opening set by Boubacar Traore, Brazil’s SEU JORGE played tonight at the Logan Square Auditorium. Like last night’s concert by Amadou & Mariam, this was part of the Chicago World Music Festival. Jorge is a commanding singer, and his songs (which I wasn’t familiar with) sounded excellent. At times, he sang softly with gentle guitar or ukulele rhythms carrying the beat. At other times, the music was heavy on percussion (the band included Jorge on guitar, a bass player and three percussionist) with Jorge growling, rapping or singing full-out in a more rock-music style. After Jorge left stage, the three percussionists led the crowd for a while in some clap-alongs, then Jorge returned for an acoustic set, including three of the David Bowie songs he covered for The Life Aquatic With Steve Zissou.  At the end of the night, Jorge stood before the crowd and gave an impassioned speech about the people of his generation trying to make Brazil a better place.

SEE MORE PHOTOS OF BOUBACAR TRAORE AND SEU JORGE.