A Place to Bury Strangers

Until last week, I’d only seen and heard a few minutes of live performance by A Place to Bury Strangers, back in 2008 at SXSW. It was a brief encounter in an unlikely setting — the convention center’s day stage — but even that blast of shredding guitar music caused me to write: “Man, those guys were LOUD.” They were LOUD once again when they played March 26 at the Empty Bottle — but it’s a beautiful sort of loud, with waves of electric guitar pouring forth. And all of that majestic noise comes out of just three instruments — guitar, bass and drums. An impressive feat. A Place to Bury Strangers, which has a new EP called Onwards To The Wall, cranked its tunes through banks of pedals and amps amid fog, flashing strobes, and darkness pierced by beams of light: a perfect visual accompaniment.








The March 26 show also featured two strong opening acts: Chicago’s Apteka, who sound better and better each time I see them, and The Big Sleep started out the evening with even more shoegazy goodness.

The Big Sleep

The Big Sleep

Apteka

Apteka

Apteka

Secret Colours, Apteka and E+

The psychedelic Chicago band Secret Colours celebrated the release of its new EP with a show Jan. 7 at the Empty Bottle, with opening sets by a couple of cool Chicago bands: E+ is a new outfit featuring members of Disappears, Heavy Times and Verma. And the middle band in the lineup, fApteka, had the strongest set of the night, with an intense, swirling sound.

E+

Apteka

Apteka

Apteka

Apteka

Apteka

Secret Colours

Secret Colours

Secret Colours

Secret Colours

Serena Maneesh and Depreciation Guild

Serena Maneesh plays March 31, 2010, at the Bottom Lounge in Chicago.

Serena Maneesh, a Norwegian band that plays the deliciously loud rock music known as “shoe gaze,” hasn’t toured the U.S. for a few years, but the group was back this week. The tour brought Serena Maneesh on Wednesday (March 31) to Chicago’s Bottom Lounge. It was an event worthy of a big turnout, but alas, attendance looked a little sparse. Despite that, the group’s front man, Emil Nikolaisen, made a gracious (and, I think, heartfelt) statement from the stage about how special it felt for him to play again in Chicago.

It was the last night that Nikolaisen’s sister, the tall and very Nordic-looking bassist-singer Hilma, played with the band on this tour before heading back to Norway to take care of her children. Lucky for us that we got to see Serena Maneesh with Hilma in the lineup!

With a sound that resembles the churning yet melodic noise of My Bloody Valentine, Serena Maneesh has some songs that seem more like pop than psychedelic hard rock, especially when Hilma takes over on lead vocals. In concert, though, the band was all about the loud jams on Wednesday night. Emil drapes some sort of fringed shawl over himself and occasionally sets aside his guitar just so that he can cavort and twirl to the waves of noise. No actual “shoe-gazing” for this Norwegian rocker! It makes for an exciting spectacle, both for the ears and for the eyes, and Serena Maneesh delivered a strong set.

But no encore? What’s up with that? The crowd clearly wanted more, but from what I hear, Serena Maneesh did not do encores at its recent New York shows, either.
www.myspace.com/serenamaneesh
www.serena-maneesh.com

Four bands played Wednesday, and the opening acts included Canyon playing instrumental hard rock reminiscent of Pelican. And sandwiched between all these bands was yet another bunch of noise-makers, Apteka, which played with impressive energy.

See my photos of Serena Maneesh, the Depreciation Guild, Apteka and Canyon.