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Lemos played electronic stuff for part of the show, and then he unplugged one of his equipment cords and pushed the live end of the plug against his amp, creating small crescendos of feedbacks. In an interesting way, it was almost as if Lemos was providing the sort of distorted noise you’d normally expect to hear from the electric guitars, while the two guitarists were making more subtle shades of sound.
The set began very quietly, with Daniell and McCombs making tick-tock clicking sounds and tiny notes with their guitars. Some people in the bar did not seem to realize the performance had begun, chatting over this understated music, but the club quickly fell quiet as audience members concentrated on the music. For the first 10 minutes or so, Shelley was also listening intently. He sat at his drum kit without making any beats at all for a while, and then he cautiously felt his way into the music. At one point, the music took an unexpected country-folk lope, reminding me a bit of something Souled American might do, but channeled through the more ambient music of Daniell and McCombs. Later, the ensemble slid into more of a rock-music groove, giving Shelley a chance to stretch out on the drums. After cascading and falling a couple of times, the uninterrupted performance faded down. One by one, the musicians stopped playing until it was just Lemos, making some low squelches with his table of electronic gear.
Daniell tells me the four musicians did not get a chance to rehearse together before sitting down at Wednesday’s concert, which makes the performance all the more impressive.