Concerts I’ve seen lately:
THE SWELL SEASON’s Glen Hansard and Marketa Iglova played five songs Aug. 12 at Lincoln Hall following a screening of the film that made them famous, Once, and a Q&A with Sound Opinions hosts Greg Kot and Jim DeRogatis. What a delightful evening. (Of course, now I keep thinking about the tragic death of a fan that happened at a Swell Season concert in California a week later.)
LOST IN THE TREES played Aug. 16 at Millennium Park’s Pritzker Pavilion, part of the “Dusk Variations” series. A nice example of an indie folk-rock band making sophisticated use of chamber-music style strings.
MY MORNING JACKET played Aug. 17 at the Charter One Pavilion, which was my first visit to this concert venue on Northerly Island, where Meigs Field was until Mayor Daley ordered in the bulldozers. Charter One is basically a parking lot and bleachers set up in front of a big stage, with vendors selling tallboy cans of Bud for $11. ($11!!!) Not really my sort of venue, but I guess it served its purpose as a setting for My Morning Jacket’s arena rock. The band showed that it still knows how to rock out with a vengeance — at least when it’s playing its old songs. Luckily, the band played a lot from It Still Moves and Z, but I wish they’d played even older songs. The more recent songs are lackluster in comparison, although the band almost brought them to life on stage.
THE SADIES were scheduled to play two nights at Schubas, but the second night was cancelled, and the band ended up playing just one show, Aug. 20. It’s a shame that this terrific band hasn’t become more popular and moved up to bigger venues. On the other hand, it’s nice that Sadies fans can still enjoy seeing them up-close in an intimate venue like Schubas. The guitar licks were as awesome as they usually are, and it was great to hear the Sadies doing some songs from their excellent recent record, Darker Circles. They even did double duty, playing as the backing band for Jon Langford and Sally Timms during one of the opening sets. And they finished off the night with an encore medley of tunes originally played by Them in the ’60s: “Gloria,” “”I Can Only Give You Everything,” “Baby Please Don’t Go” and back to “Gloria.”
Sorry, no photos from these concerts, but my camera will be back in action very soon.
It’s becoming a pretty common sight these days to see violins, violas and cellos onstage at an indie-rock concert. Both local and touring bands often seem almost like miniature orchestras or string quartets at Chicago venues such as Schubas, the Empty Bottle and the Hideout. One of the best and most sophisticated of the current orchestral rock outfits is Lost in the Trees, an ensemble from Chapel Hill, N.C.
Lost in the Trees’ 2008 album All Alone in an Empty House alternates between delicate, highly melodic folk rock, which is a little reminiscent of Sufjan Stevens, and some instrumental orchestral compositions that are about the closest thing to traditional classical music that you’ll hear anywhere on a rock CD today. Singer-songwriter-guitarist Ari Picker is the dominant guy in Lost in the Trees, but when the band came to Schubas last Thursday (July 9) it felt like a true ensemble. A full string section played beautiful arrangements throughout the set, supplemented by guitar, drums, mandolin, glockenspiel and horns. The strong tunes from that 2008 CD resonated in concert, affirming that this is definitely a group to watch for future releases. (And now I really want to hear the earlier Lost in the Trees releases from 2004 and 2006). Lost in the Trees finished its show by moving off the stage and onto the main floor at Schubas, playing unamplified with a bunch of fans gathered around. It was a lovely moment.
Photos of Lost in the Trees.
The first band of the night was Halloween, Alaska, which seemed to have a fair amount of fans in attendance, including people who really recognized the songs. The band sounded too much like Death Cab For Cutie for my tastes, but I suppose that’ll be a strong selling point for many folks. (And like so many bands these days, this one is named after a place where they are not from. They’re actually from Minnesota, not Alaska. As a native of Alaska, I disapprove.)
The second group of the night was Box of Baby Birds, a Chicago group led by Gary Calhoun James. Box of Baby Birds plays subtle, mellow folk rock with moody textures. The group’s new EP, Arboreal, is another fine recording, worth delving into, and the songs sounded beguiling at the Schubas performance. Box of Baby Birds is also playing July 23 at the Hideout on a bill with Cameron McGill. Alas, these CD release shows are also being billed as “farewell shows” for Box of Baby Birds, as James is apparently moving to Austin, Texas.