The Moaners at the Abbey Pub

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THE MOANERS
at the Abbey Pub

For my money, the Moaners — Melissa Swingle and Laura King — have topped the White Stripes this year in the realm of guitar-and-drums duos, though the Stripes’ disc Get Behind Me Satan is getting a lot more attention than the Moaners’ fine debut record Dark Snack.

Unfortunately, attendance was sparse at tonight’s show. The Abbey Pub wasn’t nearly as crowded as Subterranean had been the last time the Moaners were in town. Ah, I suppose it was an off night, coming on a Thursday without much advertising or publicity. But the small crowd didn’t make the music any less exciting.

King showed herself to be an exceptional drummer, making a powerful sound with a relatively small kit, and Swingle’s sleepy vocals and slide-heavy electric guitar playing were just as twisted as ever.

Some new songs in the encore  — a couple of them half-finished  — sounded promising. Can’t wait for that next Moaners album. Check them out July 11 at theHideout.

Out of the three opening acts tonight, the only one worth noting was Mr. Rudy Day, a band led by Chicago alt-country scene fixture Andy Hopkins, playing music that sounded like it was straight out of ’70s classic rock. He’s a good lead guitarist, and not a bad singer, either.

SEE MORE PHOTOS OF THE MOANERS.

And from the archives, photos of the Moaners on Feb. 5, 2005.

The Moaners at Subterranean

The band name notwithstanding, singer/guitarist Melissa Swingle doesn’t exactly moan. Her singing has a bit of drone in it, though it’s hardly monotone as she leaps fearlessly or maybe a bit lackadaiscally around the melody. It’s one of those dazed, deadpan voices that you’ll either love or hate. Me, I love it.

Last time we heard from Swingle, she was with Trailer Bride, another fine outfit. Now she’s part of Yep Roc’s burgeoning roster of cool bands, and she’s doing the guitar-drums duo thing, with Laura King on drums. So let’s get the obligatory line about the White Stripes out of the way right now: King’s a helluva better drummer than Meg White (though Meg’s primitive percussion does serve its purpose well). Swingle’s no Jack White hot shot on the guitar, but her jagged chords and peeling bottleneck-slide solos have an allure all their own. Combined with that voice of hers, the sound is bluesy Southern Goth swamp rock and stomp, everything sounding just a bit askew … which is why it’s so good.

The Moaners’ debut CD, Dark Snack, is full of good riffs and off-kilter tunes about pooches, overpopulation and roadhouse strippers. It sounds raw and live, so it wasn’t hard for the Moaners to pull it off in concert. King even managed to play guitar and drums simultaneously on one song, an impressive feat (she was just using her feet for the drums). Just one disappointment. I really wanted to see Swingle (who was wearing dark glasses and a Hello Kitty T-shirt) to whip out her saw. And no, that’s not some sort of obscene slang euphamism. She really does play a mean saw, given the chance, but I guess that’s hard to handle onstage when your band is just a guitarist and a drummer.