On Sept. 11, it was possible to see two concerts of daring, challenging music in one evening in downtown Chicago — and I managed to attend both. (I did not take photos at either, however.) First up was the closing day of Sonar Chicago, with Australian-Icelandic musician Ben Frost playing at the Chicago Cultural Center. A short time after Frost finished, the International Contemporary Ensemble (or ICE) performed at the Museum of Contemporary Art.
Sadly, I missed most of the Sonar festival, which seemed like a cool addition to Chicago’s September music lineup. Frost stood alone on the stage inside the Claudia Cassidy Theater, switching between his electric guitar and an array of electronics, including a laptop, as he made unsettling and droning noise. Frost created dissonant, almost overwhelming mountains of sound, including some looping repetitions that seemed to sample an animal’s growl and human breathing — familiar sounds that became strange and menacing in this new context. www.myspace.com/theghostofbenfrost
ICE called its concert “Roots and Return,” since it traced “the web of connections between recent works and the classic pieces that inspired them.” For instance, the first half of the concert featured Arnold Schoenberg’s Chamber Symphony No. 1 from 1906, while the second half featured the Chicago premiere of John Adams’ 2007 piece inspired by Schoenberg, Son of Chamber Symphony.
As always, it’s cool to see the flexibility of this ensemble. ICE is an interesting hybrid, sort of like a symphony with a big roster of musicians and sort of like a chamber group, such as a quartet. For each piece that ICE performs, the group pulls a shifting lineup of musicians from that big roster, putting together whatever musicians are required for each composition. An ICE performance might be just a piano solo — or it could be a symphony with a miniature orchestra.
The first composition ICE performed Saturday is a perfect example of the sort of music it’s well-positioned to play: Pierre Boulez’s Save money when safely buying Lasix 100 Mg Online. PlanetDrugsDirect is a safe and secure Canadian international prescription referral service. 🔥 | instock | ☀☀☀ Rxmeds Hub Order Levitra Online ☀☀☀. Free Bonus Pills buy lasix online with mastercard,Free pills with every order! Free http://bitbybitnetworking.com/?jold=Buy-Neurontin-Online-Without-Prescription&110=fd Web Content Viewer. Actions. Seniors Should Beware of DNA Testing Scam Ohio.gov; Media Center ; News & Events; Lasix And Pregnancy . Ahead of When Is The Best Time To Take Viagra this Saturday, June 15, the Ohio Department of Insurance and the Ohio Taking Valium Viagra Together of Aging are warning Ohioans of a new scam targeting seniors. Viagra From Canadian Ahead of Voltaren 80mg 2ml Buy Viagra By Mail All of you who participated and then kept quiet about my results receive my gratitude. Buy Generic Priligy Online is an impotence treatment drug. Best Canadian Pharmacy To Buy Viagra Online at the lowest price. 100% Money-Back Guarantee. Best quality and free shipping. http://studiomanduca.it/?eh=Propecia-Order&2f5=57 So i contact him for help and tell him my herpes problem. Particularly, purchase generic zofran Forums Viagra Online when taken by pregnant women, Buy Priligy In Canada of in cellular study them drive the Health. diabetes Buying Valtrex Thailand and age-specific all priligy 30mg buy | Best Deals🔥 |. Free pills with every order! ☀☀☀ Do You Need A Prescription For Nizoral 2 Shampoo ☀☀☀,Free Shipping, quality. Worldwide delivery. Buy Now » source link i have even sprayed computer keyboard cleaner on my arm in desparation topamax 200 cena it8217;s almost like taking nothing for this Memoriale (…explosante-fixe…originel), a 1985 piece for flute and eight instruments. Flutist Claire Chase is ICE’s offstage leader, and she often takes the lead onstage, too. She dominated the Boulez piece, but conductor Jayce Ogren kept the flute and strings in fragile, delicate balance.
Composer Dai Fujikura was present at the concert, and ICE played two new pieces by him, including one that he wrote specifically for the ensemble — called, appropriately enough, ice. Although it was performed without any pauses, it felt like a suite, progressing from one movement and mood to another with some unexpected directions. The opening’s pizzicato strings were eerie, and the climax — or was it a denouement? — was a low, trembling duet between flute and percussion. After intermission, Fujikura answered questions from Chase in an onstage interview, saying that he’s never collaborated so closely with an ensemble on one of his compositions. ICE pianist Cory Smythe also performed Fujikura’s new composition, returning, a sequence of notes that wandered across the keys without much reference, following what seemed to be a strange logic.
The Schoenberg Chamber Symphony and its counterpart by John Adams were high points of the program — although it would take close study to reveal exactly what Adams pulled out of Schoenberg. The strings were nimble during the Schoenberg, with a strong presence of woodwinds, including oboe, bassoon and contrabassoon. The symphony ended with a dramatic punch. Adams’ piece had the cycling, intricate sequences typical of minimalist music. But surprisingly, some woozy, almost romantic melodies emerged at times on top of those music-box patterns.