I’ve posted photos from several concerts lately without any comment here. Back on June 24, Robert Gomez, a singer-songwriter from Denton, Texas, performed a nice show of melancholy folk rock with a bit of a psychedelic edge at Schubas. It was sparsely attended, but I enjoyed the intimate feeling of the show. Chicago’s Rock Falls played an opening set of charming songs, including some ukulele strumming. Photos of Robert Gomez and Rock Falls.
I wrote earlier about how great the Feelies were on June 29 at Millennium Park. They were just one of three bands that I saw at the park’s Pritzker Pavilion. In addition to all of the great evening concerts, the park is also hosting free performances at noon every day this summer, including some rock shows in a series called “Edible Audible.” It’s not always easy for me to get downtown at noon, but I was there on June 29 for a show by Black Moth Super Rainbow. Normally, I’m not too thrilled with bands that run all of their vocals through the tired electronic effect known as the Vocoder. Black Moth does this, but somehow, I like this brand of Vocoder music better than most other electronic music. I think it’s because it feels trippy and psychedelic, with some catchy melodies. Photos of Black Moth Super Rainbow.
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The Chicago ensemble DRMWPN (pronounced “dream weapon”) released one of my favorite records so far this year, Bright Blue Galilee, but good luck finding it. It’s a very limited edition on vinyl of a concert recording from 2007. DRMWPN basically plays a droning chord for about 40 minutes at every show, creating a meditative atmosphere. The group came together July 1 for another beautiful performance at the Chopin Theatre. Ostensible leader Jim Dorling had some trouble getting the group’s Dream Machine to work. That’s the light with the spinning cover that sets the perfect mood at DRMWPN concerts. After a few minutes of playing with the device, he finally got it spinning, and the music began drifting into place. Photos of DRMWPN, Ultimate Vag and 500MG.
Oumou Sangaré, a singer from Mali, put on a rousing show July 2 at the Pritzker Pavilion. She came across as a vibrant personality, and her large band kept the music going at a lively pace all night. It did not take long for a large group of fans to rush to the front part of the pavilion, and after that, it was a non-stop dance party. Photos of Oumou Sangaré.
Last year, Christian Kiefer, J. Matthew Gerken, Jefferson Pitcher and assorted guest singers put out a three-CD set called Of Great and Mortal Men: 43 Songs for 43 U.S. Presidencies. It does in fact include one song for each president, and after Barack Obama won last year’s election, these musicians released a follow-up song with Will Johnson of Centro-matic on lead vocals, “44. Barack Obama (Someone to Wake).” I played that song a lot last fall after the election. (You can download it for free here.) The trio of singer-songwriters who put this whole project together played July 3 at the Hideout and July 4 at Taste of Chicago. I caught the Hideout show, which featured one of the local musicians who performs on the CD — Steve Dawson of Dolly Varden signing about Lyndon B. Johnson — and several musicians doing interpretations of the songs. The Singleman Affair did great psychedelic-folk-rock versions of the songs about John Quincy Adams and Jimmy Carter. The Bitter Tears, dressed like decadent hillbillies, sang about Zachary Taylor. The Gunshy, Sin Ropas, Jeff Harms, Tim Rutili and Tim Kinsella also performed, and of course, Jon Langford was there — singing about Ronald Reagan. Hideout co-owner Tim Tuten (back in town from Washington) emceed the whole shindig, and his rambling and improvised intro to the Reagan was a humorous highlight. The concert featured about half of the songs from the 3-CD collection, ending with the soothing sing-along chorus of the Obama song: “Everything will be all right.” Photos of 44 Songs for 44 Presidents.