We’re already 11 days into the new year, but I’m still catching up on my “best of 2009” lists. I’m waiting a week or so before I do a list of the year’s best films, since I’m still seeing some 2009 movies. (And as always, some films from the previous year straggle into Chicago after Jan. 1, raising the question of whether they belong on last year’s list.) Here are my picks for the 12 best plays I saw in Chicago in 2009.
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THE ELABORATE ENTRANCE OF CHAD DEITY by Kristoffer Diaz, directed by Edward Torres, at Victory Gardens Theater. (Photo by Liz Lauren.) This was more fun than any show in 2009, even for someone like me who hates wrestling.
THE MYSTERY OF IRMA VEP by Charles Ludlam, directed by Sean Graney, at Court Theatre. (Photo by Michael Brosilow.) Another blast of fun, with lots of quick-change comedy by the marvelous Erik Hellman and Chris Sullivan.
ANIMAL CRACKERS by George S. Kaufman and Morrie Ryskind, music and lyrics by Bert Kalmar and Harry Ruby, adapted and directed by Henry Wishcamper, at the Goodman Theatre. (Photo by Eric Y. Exit.) Completely retro, and highly entertaining. The next best thing to seeing the actual Marx Brothers.
BLACKBIRD by David Harrower, directed by Dennis Zacek, at Victory Gardens Theater. (Photo by Liz Lauren.) A disturbing two-character drama starring two superb actors, Mattie Hawkinson and William L. Peterson, at their best.
ROSENCRANTZ AND GUILDENSTERN ARE DEAD by Tom Stoppard, directed by Michael Halberstam, at Writers’ Theatre. (Photo by Michael Brosilow.) An excellent production of Stoppard’s classic transformed existential despair into thought-provoking humor.
OH, COWARD!, words and music by Noël Coward, devised by Roderick Cook, musical direction by Doug Peck, directed by Jim Corti, at Writers’ Theatre. (Photo by Michael Brosilow.) This delightful revue feels like a cocktail party in a ritzy penthouse, where three talented singers deliver a command performance of witty and wistful tunes.