The New York-based ensemble Alarm Will Sound plays acoustic arrangements and orchestral scores of music that was originally created by electronic artists such as Aphex Twin. And what a strange and impressive sound it made on July 3. The group made its Chicago debut as the final concert of Millennium Park’s Loops and Variations series. The highlights included the Chicago premiere of Steve Reich’s Radio Rewrite, which reworks themes from the music of Radiohead.
The program included:
Aphex Twin (arr. Freund), Cock ver 10
Aphex Twin (arr. MacDonald and Johnson), 4
Aphex Twin (arr. Orfe and Thompson), Mt. St. Michel
Aphex Twin (arr. Burhans), Blue Calx
Tyondai Braxton, Fly By Wire
Steve Reich, Radio Rewrite
John Orfe, Dowland Remix
Aphex Twin (arr. Orfe), Jynweythek Ylow
Boards of Canada (arr. Price), roygbiv
Aphex Twin (arr. Hause), Omgyjya Switch
The Loops and Variations concert series at Millennium Park usually features a contemporary classical act as well as another artist playing electronic music. Last week, on June 19, there was just one set, but it was varied enough to fit the concept. One of Chicago’s best new-music ensembles, eighth blackbird, had the whole show to itself — but with a guest musician sitting in on several pieces, composer-accordionist Michael Ward-Bergeman. The evening started with his beautiful composition “Barbeich,” which blended the lyricism of Argentine accordionist Raúl Barboza with the subtly shifting patterns of Steve Reich’s minimalism.
Ward-Bergeman left the stage for a while as eighth blackbird played Bryce Dessner’s “Murder Ballades” suites followed by a set of works by Richard Parry, Claudio Monteverdi, Carlo Gesualdo and Bon Iver. Then he was back to play — and sing — the final three songs, as the eighth blackbird sextet turned itself into a New Orleans party band, performing “Mardi Gras,” “St. James Infirmary” and “Mississippi.”