Eleventh Dream Day at Lincoln Hall

The Chicago rock band Eleventh Dream Day has been together for a quarter of a century, but their recordings and live performances are still fresh and exciting. Celebrating the release of its latest record, the Thrill Jockey release Riot Now!, the group played Friday night (April 22) at Lincoln Hall, sounding as energetic and alive as ever. What’s the secret of these guys? Maybe it has something to do with the way they carry on as a sort of occasional endeavor, playing a few gigs a year rather than touring incessantly; recording a new album every few years instead of constantly going at it.

The new record is a keeper, with a bunch of songs that rank alongside the best Eleventh Dream Day has done. I won’t call it a comeback or a return to form, however, since I’ve never been disappointed with this outfit’s previous recordings or concerts. The band has been remarkably consistent over the years. In any case, Riot Now! is a document of Eleventh Dream Day in fine form. The band honed these songs in a series of gigs last year at the Hideout (I saw two of the four shows), then recorded them quickly in just a couple of days, without doing a lot of takes or overdubs. Not a bad way to capture a rock band’s live energy.

Friday night, Eleventh Dream Day launched into its show with several of the new songs, before going back to some of its oldest records, Prairie School Freakout and Beet. The new record features some terrific backup vocals from drummer Janet Beveridge Bean. That’s nothing new, but these songs blend Bean’s voice into the mix just about perfectly, adding an essential melodic layer. That same exciting blend of voices and noise came through in concert.

As always, Doug McCombs played some exceptional bass lines, both melodic and rhythmic, matching Bean’s driving percussion. And Rick Rizzo let loose with the sort of Crazy Horse guitar soloing we’ve come to expect from him. Rizzo pushed and pulled at its guitar as if it were a living animal he was struggling to control. Mark Greenberg played keyboards for most of the show, his chords thickening Eleventh Dream Day’s sound, but on the older songs — ones originally recorded with two guitarists — he switched to bass and McCombs added a second guitar. In both configurations, Eleventh Dream Day lived up to the title of that new album — Riot Now!.

Eleventh Dream Day on the Thrill Jockey site
Eleventh Dream Day live performance and interview with Alison Cuddy on WBEZ’s Eight Forty-Eight show — plus video
Greg Kot’s Chicago Tribune article
Matt Arado’s Daily Herald article
My 2006 Pioneer Press article about Eleventh Dream Day

Another one of my favorite local bands, the 1900s, opened the show, playing a nice set of their sparkling ’60s-style pop music, and a cool guitar rave out by Edward Anderson on “Two Ways.” The 1900s aren’t exactly in the same genre as Eleventh Dream Day, but the contrasting styles of these two Chicago bands complemented each other well.

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